Wake of the Red Witch / Through a Glass Darkly

Wake of the Red Witch (1948) dir. Edward Ludwig

Through a Glass Darkly (1961) dir. Ingmar Bergman

John Wayne plays an alcoholic, heartbroken, but inevitably likeable sea captain on-board a more subtle critique of colonial exploitation in the south Pacific. There's also a giant octopus that's probably a metaphor or something. Cut this gem with Bergman's Academy Award winner for Best Foreign Film** and you get a duel of schizoid protagonists that won't disappoint.

**This award most recently went to Dogtooth, an agreeably unsettling family drama/science-fiction/black comedy from Giorgos Lanthimos.

Crimes and Misdemeanors / Blow-Up

Crimes and Misdemeanors (1989) dir. Woody Allen

 Blow-Up (1966) dir. Michelangelo Antonioni

Two colorful ways men find themselves entangled in murder

Deliverance / The Shining

Deliverance (1972) dir. John Boorman

 

The Shining (1980) dir. Stanley Kubrick

This pair is a bit hard to get through.  Both of these movies kind of destroy you--in every way sounds and images can.  Wine helps.  I also suggest tackling this duo with some friends, good friends.  Or at least someone who's going to tell you it's all going to be okay.

SPECIAL TRIPLE FEATURE! The 39 Steps / A Fish Called Wanda / Gothic

The 39 Steps (1935) dir. Alfred Hitchcock

 A Fish Called Wanda (1988) dir. Charles Crichton & John Cleese

Gothic (1986) dir. Ken Russell

Three visions of England, and reassurance that Americans aren't the only psychos in the world speaking English. If you're unfamiliar with the work of Ken Russell, check out: Altered States, The Devils, and Lair of the White Worm.  His career is a bit under appreciated (partly due to his negotiation of taboo and "blasphemous" subject matter) but contains some truly remarkable pieces of cinema history along with some of its most haunting, memorable images.

Yojimbo / Mulholland Drive

Yojimbo (1961) dir. Akira Kurosawa

Mulholland Dr. (2001) dir. David Lynch

Kurosawa, like pizza, stands well enough on its own but also goes well with everything; and although Mulholland Dr. carries more than enough visual and psychological weight for the typical screening, these two films balance nicely together in a dark, cold room.  Pair Yojimbo with A Fistful of Dollars if you're into cultural dialogue.

Princess Mononoke / Frankenstein Conquers the World

Princess Mononoke (1997) dir. Hayao Miyazaki

Frankenstein Conquers the World (1965) dir. Ishiro Honda

An imaginative study of pre/post-industrial Japan

The Good Son / Point Break

The Good Son (1993) dir. Joseph Ruben

Point Break (1991) dir. Kathryn Bigelow

Take it from me, the ladies love this one.